Thursday, March 29, 2007

Opium of the Masses

Marx used the term opiate of the masses in reference to religion, but I think think it applies equally well to Mexican telenovelas, a cultural phenomenon that inspires a cult-like following and which, like mainstream Catholicism, diverts attention away from the unjust social conditions so characteristic of Mexican society through a highly seductive deployment of beauty and money. Despite (or because of) its charm, a show like Corazon salvaje perpetuates the pernicious racial and class divisions that separate Mexico into working mestizo masses and privileged white oligarchies, whose legitimacy it shamelessly celebrates. The reactionary politics of Corazon salvaje's producer, Televisa, are well-known, the company, which is the world's largest Spanish-language media firm, having recently been criticized for partial coverage of (losing) left-wing Presidential candidate Andrés Manuel López Obrador in the last Mexican elections. Corazon salvaje as a cultural product is one moment in an ideological superstructure whose function is to preserve the status quo and block progressive social change. As for those who affirm the counter argument that Televisa soaps are harmless fluff and that spectators are far too clever to absorb their ideological biases, I hope you be right!


1 comment:

jaime said...

Niall,en realidad el punto externado en el debate, "that Televisa soaps are harmless fluff and that spectators are far too clever to absorb their ideological biases", fue externado simplemente tomando posición en un debate en el cual fue propuesto para tema de clase y no representa mi punto de vista. En el fondo, comparto tu opinion, estas novelas muestran un mundo idealizado en donde la convivencia entre dos o mas escalas sociales se da sin ninguna fricción, y esta jerarquia social parece prevalecer hasta tiempos modernos. Yo también, de cualquier forma, espero con optimismo que las telenovelas sean solo un escape de la vida tan banal que lleva la mayoría de la gente.